Jude removes the pepper spray from the keys and hands the keys and her cell phone over. "Don't stop. Don't look back. Just get out of here. I'll put myself between you and the gun and fight them, while you get away."
Holly protests, "I can't leave you here."
"Oh yes, you can. And you will. Get to someplace where there's cell service and call 911. But you and the baby get out."
"But I can't leave you, mom."
"Oh yes you can. I can't run fast with my bum leg. I'll hold them off. You and the baby get out of here. Look over my shoulder. Do you see that? It's a person!"
"No, I don't think so, mom. I think it's a statue."
Upon closer inspection, we see it is indeed a statue.
But it's way too easy to imagine eyes looking out of the pieced-together house OR peeking from one of the trailers.
Then Jude sees a PVC pipe jutting from the ground and thinks, "This is the air hole for the captured people. They'll put us in an underground room, until they're ready to kill us." Then to Holly, "Get ready to run."
As we look inside the room with bottle windows, Jude checks behind the door--just in case--before letting Holly and the baby see in.
Jude is ever so grateful to escape with all of our lives.
Sunset somewhere in Nevada--far away from the Desolation Nevada Chainsaw Massacre.